The Alexa Mini and Amira Are Built Different—Literally

At a glance, the ARRI Alexa Mini and Amira seem almost interchangeable—they share the same sensor, image quality, color science, and dynamic range. But when it comes to workflow, ergonomics, and real-world use cases, these two cameras serve different roles on set.

If you’re trying to decide which to rent for your next project, this guide breaks it down clearly—without the fluff.

1. The Sensor Is the Same—But Everything Around It Isn’t

Let’s start with what’s identical:

• Sensor: Both the Amira and Alexa Mini share ARRI’s legendary ALEV III Super 35 sensor.

• Image Quality: You’ll get the same dynamic range (14+ stops), highlight roll-off, and overall cinematic look from both.

• Color Science: Both use ARRI’s tried-and-true color pipeline.

So what’s different? Everything else.

2. The Amira Is Ergonomic and Broadcast-Ready

Originally designed with documentary and ENG-style shooters in mind, the ARRI Amira is built for single-operator comfort.

Why people love it:

• Built-in shoulder mount and ENG-style controls

• Internal ND filters

• In-camera LUTs and grading

• XLR audio inputs

• Robust in-body menu system (with actual buttons!)

Best for:

• Documentary work

• Commercials with fast setups

• Broadcast-style interviews

• Shoots that don’t need a full camera team

The Amira’s weight and design make it great for run-and-gun situations—or when you don’t want to rely heavily on external accessories.

3. The Alexa Mini Is Made for Rigging, Movement & Versatility

The Alexa Mini was born to be lightweight, modular, and gimbal/drone-friendly. It’s a stripped-down powerhouse that needs to be built out—but once it is, it fits almost any production style.

Why people love it:

• Incredibly lightweight body

• Flexible rigging options (gimbals, drones, car mounts)

• Clean build for Steadicam or Movi

• Squeezes into tight spaces where other cameras won’t

• Popular in high-end narrative, music video, and branded content

Best for:

• Cinematic commercials

• Gimbal/Steadicam shoots

• Music videos with fast moves

• Car rigs or specialty builds

Just know: the Mini needs more support gear to be functional—it’s rarely a solo-operator setup.

4. Practical Differences on Set

Feature	Alexa Mini	Amira
Size & Weight	Super compact	Larger & heavier
Internal NDs	No	Yes
Audio Inputs	Requires external module	Built-in XLRs
Menus	Uses external EVF or app	Physical side panel
Ergonomics	Needs rigging	Shoulder-mountable
Popular Use	Gimbal/narrative	Doc/interview/commercial

5. So—Which Should You Rent?

Both cameras are industry workhorses. The better choice depends on your crew size, shooting style, and rigging needs:

Rent the Alexa Mini if:

• You’re flying on a gimbal, drone, or car rig

• You have a full camera team to build out a package

• You want a sleek, modular cinema rig

Rent the Amira if:

• You’re running solo or with a small crew

• You need built-in NDs and XLR audio

• You’re doing doc, ENG, or run-and-gun work

Ready to Rent the Right ARRI Camera for Your Shoot?

At Craig’s Camera Co., we offer both the Alexa Mini and Amira—fully built out, prepped for your workflow, and supported by people who’ve actually worked in the field.

If you’re not sure which camera fits your shoot, reach out. We’ll help you decide—and get it prepped right the first time.